Archive for January, 2009

In Case You Never Noticed…Brian Does Lounge Acts

 

 

It’s great when someone you work with makes good, you know?  You’re just doing your own thing, and one day you notice their name connected to something special.

Of course we always knew Brian Niesz was doing his thing down at WOXY’s studio’s (their relationship started when all of us were at Ultrasuede, hosting the legendary StudioX sessions).  But I hadn’t really considered the list.  So when I saw the body of work laid out I was impressed.  Especially by the sound.

Sights and Sounds from the Dots

Cincinnati’s Psychodots have been a fixture for nearly 2 decades.  While they’ve previously used The Bears website to display their work, they’ve recently revamped their own site, and included a video from their 2006 release Terminal Blvd.  Their friends at Flashpoint Academy in Chicago have dropped a video for the track Not a Pretty Face in the Sights and Sounds section.

I’m gonna get myself in trouble here.  From the day that Video Killed the Radio Star I’ve hated the conventional MTV music video form.  You know the drill: 4 guys jammin’ hard, intercut with the concrete images of the video directors idea of the song’s narrative.  The problem I have with this is that I rarely have the same vision of that narrative.  So first I struggle to understand the concept.  But once grokked, too often I reject the concept in favor of my own.  It’s too concrete.  And I get very little from watching my favorite bands lip sync.  In this case, the craft is great, and I didn’t struggle too much with the concept.  It’s a nice piece, and a good effort.  

Unfortunately, it doesn’t erase my own vision of that narrative.  From the moment I heard that song in the mastering session, it reminded me of an individual and time in my life, which not surprisingly was shared with Psychodots Rob Fetters.  For me, the song’s about much more than the music business, and the video isn’t funny enough to take me wherever it’s aiming.  I confess it’s great to see Bad Bob in metal garb and the costume girls are great, but it’s kind of a one liner.

But that’s just me.  It’s still cool.  But I say music video won’t mature until it can support more than one narrative vision.

Lessons of the Bushpression: On Bankers and Networks

It’s not too soon to start highlighting the lessons of the Bush Depression as they pertain to us.  If nothing else, we must cease advancing flawed ideas and reject gross incompetence to lessen our own pain.  So this article is part of a series exploring what’s happened and how we can use it.

The first domino to fall in the current debacle was the under-regulated mortgage market.  In a nutshell, mortgages were being wrapped up in big, mass bundles and sold as commodities via networks.  The underlying rationale: If you aggregate hundreds or thousands of individual mortgages into a single pool, the failures of any individual loan cannot sink the entire pool.   To some extent this makes sense, as a tool to mitigate risk across a large pool of common, known loans.  The problem is that the individual loans, and their securing assets (homes) were neither common nor known.  Instead these instruments spawned a “mortgage brokering” industry that shopped these products to any and all comers, without ever-fewer checks and balances.  By last year appraisers were in on the scam, over-valuing homes to sell loan instruments with far greater risks than claimed.  In the end, no one could trust that brokers and banks originating the loans were performing with due diligence.  As it became apparent that the problem was widespread, our economy collapsed.  We lost certainty in the value of real estate broadly, and lost faith in the profession responsible for it’s valuation.  Loans immediately ground to a halt, and the economy collapsed around us.

The take home message is not that networks are bad, but that transparency is essential in networks and reputations matter.  The opacity of these mortgage backed securities created the problem, and remain an obstacle to it’s resolution.  Transparency is what makes Ebay and Amazon work so well; mechanisms are built in to ensure buyers know what they’re getting beforehand, and compare it’s value to similar goods.  A sellers reputation is part of the transaction – no one buys from poorly rated sellers, and Ebay actively works to prevent bad actors from signing up under new names.  Even when they come back, there is safety in numbers: a seller with a single 5 star rating is less likely to get a bid or sale than one with thousands of 4 stars and a few rants.  Experience counts when it comes to building a reputation.

In the music industry, there’s a long history of opacity.  Some of this is a necessary evil in an entertainment business: there’s always a mythical element to stardom, and fans really don’t want to know exactly how the sausage is made.  But once the curtain drops, there’s no valid reason for labels to offer opaque contracts with overly broad and vague terms in contracts.  There’s no benefit for reviewers to call turds “tootsie rolls” when it damages their reputation.  And there’s certainly no benefit to force-feeding faux-products to any human network.  In short, the collapse of the mortgage-backed security market has many parallels to the collapse of the music industry.  

One other thing important parallel is found in the perils of complexity.  In the music business one of the biggest failures has been our ability to make it easy for people to pay us for our work.  Licensing is problematic for end-users – it’s often hard to know who to pay what!  Some rates are negotiated, others compulsory.  We’re lashed to an archaic system that evolved around mutual distrust between parties in a zero sum game. 

The music industry has taken big hits based on people’s perception of greed, based not on their direct experiences with musicians, but rather myths spun around stars and star-makers.  Not terribly different from the Wall Street crowd in that respect.  The majority of local bankers making loans at your local branch didn’t create this crisis.  It was Wall Street swingdicks bundling their solid products on the same basis as garbage loans from companies like Countrywide, and individual “mortgage brokers” (kind of like “indie promoters” in radio, eh?) who wrote loans for the closing costs and a quick buck.  The weak link becomes the broker who closes every loan with a few thousand bucks in his pocket, regardless of the buyers ability to pay it off.

More to follow!

YouTube – Frank Proto: Sketches of Gershwin for Clarinet & String Orch

YouTube – Frank Proto: Sketches of Gershwin for Clarinet & String Orch.

Man, what a session.  I’m totally blown away this Grammy Nominated performance from  and recording has found it’s way to the internets, courtesy of YouTube and Frank Proto’s Red Mark Records.  Even more blown away to see 22,000 views, and passionate comments!  Not far behind, is the live recording of the chamber portion of the same album, Bridges, with 19,000 views and counting.

Speaking as the engineer for both very different sessions, the Gershwin piece was the bigger challenge and biggest payoff (in terms of Eddie’s performance).  But for my money  this one’s the real treat, for the ensemble (and reall drove the Grammy nod):

Finally: DaveD Returns to Designing Music Media!

I’ll try to keep this short and sweet.  In November I parted ways with Sound Images on good terms.  While I learned a lot and enjoyed the people and my time there, I really missed my “regular” clients: musical artists, flash/digital artists, record labels and story tellers in every medium.  Most of all I missed the work itself, designing New Media products for creative artists.

Beginning in January of 2009 I will be launching a new venture built around my passions, to be introduced right here.  Between now and then I’ll be transitioning this blog to a different kind of news platform, and we’ll attempt to build community around topics and ideas.

Anyway, I’m back.  And I promise not to stay away as long.