MUSIC|MEDIA|DESIGN

It’s great when someone you work with makes good, you know?  You’re just doing your own thing, and one day you notice their name connected to something special.

Of course we always knew Brian Niesz was doing his thing down at WOXY’s studio’s (their relationship started when all of us were at Ultrasuede, hosting the legendary StudioX sessions).  But I hadn’t really considered the list.  So when I saw the body of work laid out I was impressed.  Especially by the sound.

Here’s a load off my mind: The Heartless Bastards – Limited Edition Vinyl reviewed by Each Note Secure indicates I’ve apparently done my job (mastering the limited edition).

Some background: the original CD version was kinda dark, and not at all like Brian Niesz’ pristine 88K(!!) original mixes.  This was the kind of thing that got me into mastering in the first place, so I was all over the assignment.  Like most mastering engineers, I’m pretty confident in what I submit to clients for approval, but a combination of deadlines, and a then-new workstation conspired to make the whole thing unusually stressful.  The first ref had drop outs due to bugs in the DAW! Gulp!

This was an important project, especially during my Sound Images years, when mastering was treated like a poor stepchild to TV commercials and on-hold messages.  Brian is one of my favorite engineers, and this record totally rocked.  Each Note Secure seemed to like my version better, as have some other reviewers, so I feel pretty good about the outcome.

Check it out… great record by a great band.

Our long-time friends and clients, Shake It Records have a critic’s mini-darling in Wussy’s Funeral Dress.  Color us impressed!  Check this out:

BlogCritics Magazine jumps in early, with their November 2006 review. In January, Harp Magazine picks up on the buzz.  Then Robert Christgau picks up where he left off in his love for all-things-Chuck, via Blender, in April 2006.

Nice work, Wussy & Shake It!